Four middle-aged Hong Kong immigrants in Toronto – a faded SINGER (49), a lovelorn DAUGHTER (47), a weary MASSAGE LADY (48), and a widowed MODEL MINORITY (61) – struggle to rebuild their lives in a place that has left them behind. Yet the harder they reach for connection, the more everything quietly unravels.
Four middle-aged Hong Kong immigrants in Toronto – a faded SINGER (49), a lovelorn DAUGHTER (47), a weary MASSAGE LADY (48), and a widowed MODEL MINORITY (61) – struggle to rebuild their lives in a place that has left them behind. Yet the harder they reach for connection, the more everything quietly unravels.

Loading BTS videos...
Loading BTS photos...
Four Lives... One Journey... Four middle-aged Hong Kong immigrants in Toronto – a faded SINGER (49), a lovelorn DAUGHTER (47), a weary MASSAGE LADY (48), and a widowed MODEL MINORITY (61) – struggle to rebuild their lives in a place that has left them behind. Yet the harder they reach for connection, the more everything quietly unravels.
Timothy Yeung is a Canadian-born Chinese writer-director whose films explore identity, memory, and longing. His short film 90 Days screened at numerous international festivals, winning Best North American Short, the A&E Best Short Film Award, the Kodak Gold Award, etc., before being acquired by Sundance Selects. His feature script Yesterday Will Be Perfect won the MAS Award at the Busan Asian Project Market. His debut feature Finch & Midland, a Hong Kong–Canada co-production, will be distributed in North America and internationally by Equinoxe Films, and in Asia by Golden Scene. An alumnus of the TIFF Filmmaker Lab, Berlinale Talents Tokyo, and Kyoto Filmmakers Lab, Yeung creates intimate ensemble dramas that privilege performance, emotional texture, and truth.